| VICTORIA BARD |
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I have worked as a jeweler in New Zealand, Hawaii, and California. My husband and I are avid surfers; the energy and beauty of nature provide personal joy and artistic direction for my work. . . . |
| DANA DRIVER |
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For the past decade I’ve used beach stones as the foundation for my jewelry. Not any stones, but only ones from a particular beach four hours north of Albion, California where I live. I would sort these by size, color, possibility, then select the best stones to tumble, carve, drill, and inlay with silver or gold. |
CHRIS & SHANI
CHRISTENSON |
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Each image we capture in our jewelry has a special meaning to us and evokes it's own special feeling. . .
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| MICHAEL COONS |
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The quality of light as the stars fade in the predawn sky, or the brilliant reflection of the setting sun over water are early remembrances from my childhood. I have always been a visual person and experience awe and reverence at the ever changing beauty of light. |
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Like many potters, I'm inspired by Japanese ceramics and use many oriental techniques on my own work. . . .
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| CHARLOTTE HEALY |
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My experience of living close to nature has remained very important to me. My contemporary designs have been inspired by our human connectedness to all living things. . . . |
| SANDRA LINDSTROM |
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Ms. Lindström embarked upon her artistic career in 1945 by painting a floral motif on her mother's white gabardeen suit. |
| LEILA KAZIMI |
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My work currently involves a variety of explorations in fabric surface design, including silk painting, natural fiber dying, quilting, silkscreening, printing, and foiling . . . |
| JON KLEIN |
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I first started taking wildlife photographs when I was about nine years old. Being outside, watching and photographing wild birds and animals is stlll one of the most fun and exciting things I know. . . . |
| MELANIE KNOX |
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Temperamental yet forgiving, clay has never ceased to amaze me for its ability to respond to the touch of my hand; seemingly begging to be transformed from humble mud to a communicative work of art…. |
| DALE LATHAM |
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It’s the wood that has always captured my imagination. Throughout my life I’ve done plenty of hand carving, mostly birds….
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| GISELA LINDER |
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My art is about my love of nature, my love of color and my explorations into the mystical-spiritual-superconscious. . . . |
| SARAH LOGAN |
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I use the sculptural vessal as an overture to expressions of time, memory, and place, creating intimate objects based on my negotiations through life. With the pace of life accelerating, we forget to take time to examine and be aware of our surroundings.… |
| ANN & JON MAGLINTE |
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Ann and Jon have enjoyed collaborating together since they met at San Jose State when Jon was a design student and Ann was studying for her B.A. in art. In 1974 they started their business, Midnight Moon, and began showing their work at Renaissance Faires on the West Coast. |
| CHRISTINA MARSHALL |
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Text to come. |
| DALE E. MOYER |
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Dale is a graduate of Philadelphia College of Art, now part of the University of the Arts, with a BFA in Illustration. In 1998, after working as an art director and graphic designer . . . |
| NANSEE NEW |
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I feel a kinship with early Meso-American and Chinese potters and weavers. Like these early artists I use simple materials: terra-cotta with grasses and vines gathered around my home at Ten Mile River. . . . |
| LAURA POPE |
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Text to come. |
| René ROBERTS |
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I've always lived near the ocean, and a walk on the beach is what I turn to for ideas and inspiration. I'm endlessly fascinated by the subtle colors,the patterns, and the movements of the tides…. |
| YARROW SUMMERS |
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"As an intuitive painter I am intrigued by the alchemical transmutation of paint into art; the magic of color interacting with color and the shadow images that appear out of this process leads me through the creation of a painting or an entire series. Composition, color choice and environment evolve spontaneously as I paint. |
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